I have amassed a collection of approximately 40 piercings since my ear lobes were first done in 1967. I use the term "approximately" because some remain open and house jewelry periodically, but not daily. In 1972 I added my first "extra" hole to my already-pierced ear. I continued to pierce myself and my friends over the years. Eventually I found Gauntlet, the world's first piercing specialty studio, where I received my first (and many subsequent) professional body piercings—and where I later ended up working.
In my left ear I have eight added holes, including four earlobe, tragus, helix, forward helix, and a 2-gauge conch piercing. The latter is my pride and joy of this ear. It was originally pierced at 10 gauge and stretched over time, which was not easily or comfortably accomplished, because cartilage is notoriously un-stretchy.
In my right ear, I've got a dozen that include tragus, daith, and helix, plus numerous lobe and cartilage piercings. If you're not sure which piercings are which, that is all covered in detail in The Piercing Bible.
Facial and Oral Piercings
I wear a septum piercing that I've had since the mid 1980s—and I must say those were extremely rare at that time, especially on women. I've had it stretched all the way up to 4 gauge, but usually wear a diminutive 18 gauge 1/4" bejeweled clicker in it nowadays, along with a few other rings in a stack. I can't help but slip a cocktail straw through my septum piercing on occasion, especially in fancy restaurants.
I have had my bindi (central forehead) piercing since the mid 1990s. I wear an 18-gauge curved bar in it. The purple ornament you see below it in the photo is a Swarovski crystal that is simply glued on with Krazy Glue—the same way I glue on my dimple gems.
My cheeks are no longer pierced and there's a whole story to that. You can find it on page 150 of The Piercing Bible, and it is entitled "The Worst Piercing Story." In case you skip reading it, let me tell you: the upshot is that I highly advise against cheek piercings beyond the first molar. If you're planning to pierce yours, read the story first!
I have a philtrum piercing (in the center above my upper lip), which I've worn since the late 1980s. As far as we're aware, it was the first of those we'd ever done! I had a lower labret that I retired many years ago.
I'm well known for my my 5 tongue piercings, which I have had for a very long time. The initial one in the center was done by Jim Ward in the 1980s and may be the first permanent tongue piercing worn in the US, as far as we know. I performed my other tongue piercings on myself. The last, and furthest back in my mouth, I did in 1990 or '91.
Other Body Piercings
Additionally, I wear a navel piercing plus a considerable number of others not visible to passersby on the street. As such, we'll keep them where they are—largely unseen, and leave them up to your imagination. That said, a photo of my nine nether piercings is located somewhere on this website. If you spot it, you'll probably be able to tell that it is me. I'll say no more... (and happy hunting, should that be of interest).
Below are some historical photos including one of Jim Ward piercing my tongue, an image that shows my hand web piercing (now retired), and one that includes my horizontal eyebrow piercing (also a first—now retired), and a neck piercing that was intended to be temporary. I put it in to purposely cause a scar resembling a vampire's bite. Oh, the folly of youth! Still, it hardly scarred at all, despite all the things I intentionally did wrong. There are also new images of my ears with my current jewelry.
- Jim Ward piercing my tongue circa 1986
- Old photo with my hand web piercing 1980s
- My 5 tongue piercings, circa mid 2000s
- My forward helix piercing in progress, 1980s
- Tongue, horizontal eyebrow and neck piercings, circa 1991
- My left ear 2017 with tragus, conch, helix root, helix, and multiple lobe piercings
- My right ear 2017, with tragus, daith, helix, and multiple lobe and cartilage piercings
- My bindi piercing, which was done in the mid 1990s
My full-back angel wings tattoo was done by Bob Roberts at Spotlight Tattoo in Los Angeles, in 1988. They have been photographed (and emulated) many times. The wings were done over four sessions within a month, totaling eighteen hours of work. Bob is fast! The entire outline was laid on in the first five-hour session. Shading was put in the top portion during the next five-hour session, and in the bottom portion during the subsequent five-hour session. The final three hours finished it off.
And, yes, it hurt! Bob is quick, but he's also famously heavy-handed. That said, he did a beautiful job and many agree that my wings have weathered the years very well.
My Floral Vines
I wore the wings as my sole tattoo for several years and in 1991 my then-husband, British tattoo artist Alex Binnie applied the custom floral/scrollwork black and purple "gloves" to my arms. The arm work was also completed in four sessions totaling about twenty-two hours of tattoo work. Each outline was done in a single four-and-a-half hour session. Each arm had a six-and-a-half hour shading session to fill in the color.
My Mermaid Tail
My most major work was done by Juli Moon at her former location in Seabrook, New Hampshire in 1992. I went to Juli's Bed and Breakfast tattoo studio and stayed there for a total of eleven days. I did three days of piercings in between the eight tattoo sessions it took to complete the work. The colorful mermaid scales, fins and gills that completely cover (and transform) me from waist to toes took a total of fifty-nine hours over those eight sessions. Juli has an incredibly gentle touch, but, wow! There is no black ink whatsoever in my mermaid tail. The darkest shade is a deep purple, which gives my legs a soft, shimmery look. People often mistake my tattoo for tights or leggings.
My Smaller Pieces
in January of 1998, Cap Szumski (RIP) of Timeless Tattoo in Atlanta, tattooed my face, but you might not notice at first glance. He put miniature purple shadow-flames directly over my natural eyebrow shape. Over time, the detail has faded and they just look like purple brows, nowadays.
On the advice of my attorney, I had the encircled "R" added to the tattoo on right buttock. It was done by Joey Galigher currently of Liberty Tattoo in Atlanta, GA. See related story below about the Trademark on my wings.
Feeling guilty about asking an artist to perform such a miniscule tattoo, I opted to also have Joey add bilateral purple flames behind my ears. My addition of these flames was intended to add a little more fire to the overall theme of the four elements. I have have plenty of "water" from the mermaid tail, a lot of "air" from the wings, a great deal of "earth" from the flowers and vines, but had only a tad bit of "fire" with the purple eyebrow flames. Though, being a Leo, (a sun sign) I already have quite a bit of "fire," if you go by such things.
In early 2006, Walt Clark in New Orleans covered my hands in a smaller version of the floral designs on my arms.
My most recent tattoo work was added in 2010, also done by Walt Clark, to celebrate my 50th birthday. It is a set of sinuous snake-like forms from my hairline to the top of each shoulder. It consists of a Mayan sun ray design to add a little more fire to my collection of the elements, and to honor the heritage of the area where I live in Mexico.
People sometimes ask me if I'm "done" or if I have more body art plans. I still retain some blank space, in case I do decide to get more. We'll just have to wait and see what new adornments the future may hold.
- Photo of me by Ashley Savage www.savageskin.co.uk mid, 2000s
- Bob Roberts tattooing my angel wings 1980s
- The Registration (Service Mark) granted by the US Patent and Trademark Office on my angel wings tattoo
- The Indicia of Registration (encircled R) that was added to my tattoo following the US Patent and Trademark Office recognition
- Photo from the back, circa mid 1990s
- My mermaid tail tattoo by Juli Moon
- My right hand tattoo, with a mini version of the floral pattern on the same arm
- Getting my Mayan sun ray tattoo by Walt Clark in 2010, for my 50th birthday
I also have what I refer to as "etching" on each shoulder cap. This is a form of scarification I invented, and it is done using a tattoo machine without ink, in a specific way to create a scar. Normally, of course, the machine is used to deposit ink with the intention of leaving no scarring, so this is essentially the opposite.
They're hard to photograph, but for what it's worth, here's a few images. The Fleur de Lis on my right arm was done several times using a number of different techniques. Once we got the method figured out, the palmette design on the left side was done, by Bethrah Szumski of Virtue and Vice in Atlanta, GA just once. I've had them since the turn of the century. I found it fascinating to see how the shape of the design changes along with my anatomy!
- My palmette etching on my left arm, in 2017
- My fleur de lis etching on my right arm, in 2017
- My palmette etching after initial healing
My Trademark (Angel Wings Tattoo)
The angel wings tattoo covering my back is the FIRST and to date, only tattoo to be issued a registration by the U.S. Patent and Trademark Office.
This is a legal precedent for the United States and also the world! No other body art (or any aspect or feature of a human body) has ever received such recognition by the U.S. Patent and Trademark Office.
Registration No. 2,645,270 was issued to me on November 5, 2002 for my full back angel wings tattoo, by Bob Roberts, in Los Angeles, California. Specifically, the Registration is a Service Mark in conjunction with commerce relating to body piercing services.
In accordance with the advice of my attorney, I had the encircled "R" ("indicia of registration") tattooed at the bottom of my wings. My attorney explained that he had never before in his career advised a client to get a tattoo. But, he said, in this case, bearing the encircled "R" would entitle me to greater legal protection of my Registered Service Mark (tattoo). There will be more comprehensive benefits due in the event I win any legal action brought about as a result of infringement on the Mark.
Truthfully, this wasn't my idea, but rather that of the attorney. He wanted to see if he could get the USPTO to issue the Registration, since it had never been done. He said if I paid the filing fees and provided him with whatever documentation he requested, he'd take care of the rest. Well, the process took over six years, and many declinations and additional submissions, but eventually the mark was granted. My intention was not to take legal action against infringers (though some of them have deserved it), but rather to see if the registration would be granted. However, when a piercer was airing a TV commercial with a large poster of my wings right behind her, it could reasonably be misconstrued that she were me. When I called her and explained that my wings were registered in relation to piercing services and could not be used in that way, she pulled it.
The U.S. Patent and Trademark Office also issued me Registrations for the name of my former New Orleans piercing studio, Rings of Desire, and its wings-with-ring logo, which was derived from my back tattoo.